Another sign that perhaps section 1201 might not be as broadly applied going forward is this recent decision from the Fifth Circuit. That case involved the use of software that controlled uninterruped power supply devices. GE and PMI were accused of copyright infringement and circumvention because they had accessed and used the software which had an already circumvented or compromised dongle. The Fifth Circuit held that GE/PMI’s activities were not otherwise infringing and thus the circumvention was not actionable under section 1201. This seems to be a somewhat different position than that taken in the DeCSS case.

I’m not sure if this is really part of a trend, but it is encouraging for anyone who believed otherwise non-infringing activities should not give rise to a copyright lawsuit merely because a digital lock was circumvented. Section 1201 has been used unsuccessfully in the past to try to prevent competition in the markets for garage door openers and printer ink cartridges.

Have a listen to “Copyright and Ownership of Software: Where Did We Get This Code Anyway?”

The case is about the “first sale” doctrine in copyright law and specifically, whether goods manufactured and sold abroad can be imported into the United States without the permission of the copyright holder. The Supreme Court has agreed to hear the case and it should have interesting implications for retailers, distributors and copyright owners.

MIPLA New Matter June 2010

One problem with employing this strategy on the scale that the USCG is doing is that it will almost certainly result in a large number wrongly identified people who feel compelled to pay up because its cheaper than fighting. It undermines rights to privacy and anonymity. Furthermore, it doesn’t get to the real issue of how to compensate artists for their work. Lawsuits can’t possibly be a realistic long-term business model.

As far as I know, the USCG only has a large list of suspect IP addresses and is currently attempting to obtain the identities of people so they can give them the pay up or go to court offer. The Electronic Frontier Foundation has created a resource for people who are faced with responding to a subpoena and would like advice with responding. I have volunteered to work with people in Minnesota who are faced with this situation. There are other attorneys in other states who have volunteered as well.

The EFF Subpoena Defense Attorney List
The EFF’s press release about the case.

The fictional high school chorus at the center of Fox’s Glee has a huge problem — nearly a million dollars in potential legal liability. For a show that regularly tackles thorny issues like teen pregnancy and alcohol abuse, it’s surprising that a million dollars worth of lawbreaking would go unmentioned. But it does, and week after week, those zany Glee kids rack up the potential to pay higher and higher fines.

Check out the rest of Christina Mulligan’s post at Balkanization.

The blog Groklaw has been following this case in great detail over the years. There is an unbelievable amount of information there which illustrates how much work can go into litigating a case of this scale.

While albums were still the norm ten years ago, increasingly people are looking for their music by the track. Apple’s iTunes store prices by the album, but you are still left with individual files that are downloaded to your computer. Should artists like Pink Floyd be able to sell their music only in the form of an album? US Copyright law is distinctly economic in nature and the idea of “moral rights” or droit d’auteur play a very small role here. While artists in many countries can control how their works appear well after the works are sold; here in the US, artists are limited to rights granted under copyright law such as reproduction, public performance, etc.

Perhaps we will see more one track albums in the future. Or perhaps its time to move past the album, a format that exists largely due to the technical specifications of LPs (60 minute capacity) and to some extent Compact Disc (80 minute capacity). Not all music needs to be one hour divided into 10 songs. Digital downloads can be just about any size. The only effective limitations are what a person might want to listen to and what an artist feels is appropriate*. Perhaps now is a good time to rethink the album.

*There is at least one song that could cause problems for digital downloads. As Slow As Possible by John Cage has been performed since 2001 in Halberstadt, Germany and the performance is expected to continue for another 639 years.

Its a brilliant example of how people distort the truth by using a vague or general definition of a word with a lot of emotional weight. Like “theft.” When you use a word like “theft” to mean any general sort of taking or use of a right, it ceases to mean theft. Its also interesting to note that publishers appear four times in that list, including the top spot, but in none of those cases do they mean actual theft. Infringement is bad, but its also hard to conceptualize. Theft is immediate and visceral.

Hat tip to Marginal Revolution.

“Program manufacturers are natural paranoids. In their zeal to “copy protect” their programs, they tend to regard all customers as potential thieves”

Interestingly enough, Franklin made Apple computer clones and was successfully sued by Apple for copyright infringement of Apple’s operating system. Natural paranoids indeed.

Full article at Ironic Sans. HT to BoingBoing

This request for comments and for recommendations for an improved
enforcement strategy is divided into two parts. In the first, the IPEC
seeks written submissions from the public regarding the costs to the
U.S. economy resulting from intellectual property violations, and the
threats to public health and safety created by infringement. In the
second part, the IPEC requests detailed recommendations from the public
regarding the objectives and content of the Joint Strategic Plan and
other specific recommendations for improving the Government’s
intellectual property enforcement efforts. Responses to this request
for comments may be directed to either of these two parts, or both, and
may include a response to one or more requests for information found in
either part.

Comments are due by Wednesday, March 24,
2010, at 5 p.m.

The full text of the request can be found here.

Send your comments to: intellectualproperty@omb.eop.gov

HT to boingboing.net for publicizing this.